LOGIN : LOGOUT


Real Job Interview #1
Luc Lafortune
Lighting Designer
Cirque du Soleil

TJ Luc what advice would you give to a young person who wants to become a lighting designer?
Luc The most important thing is that they find people to work with that are doing the kind of work that they want to do. Find academicians or professionals that they want to work with. Visit schools, professors, and especially visit with students. Connect with the technicians. So much of it depends on the people. Find people to work with that are open and committed to the sharing of knowledge.
TJ Where do you find inspirations for your lighting?
Luc Everywhere but in the theatre. Theatre is where you learn the skills and the technical elements that allow you to translate your ideas into a design, but look outside of theatre for inspiration. Art galleries, movies, photos (especially Black and White photos), clubs, strip clubs... LIFE. Walk a city at night.. not the pleasant areas, the areas where life happens. Spend all night walking around. Experience life.
TJ What would you like to change about theatre?
Luc The way we work. Theatre is very reluctant to change. Even though there have been major changes in the technology of theatre, we still tend to work in the same ways. Theatre never seems to question the way things are done, and those of us that do question are seen as being reactionaries. It is time to question our methods and bring them into the present. Charlie Chaplin was a great director, but emulating him today would deny the advances that the industry has made. Because we continue to work in antiquated ways we don't take advantage of the technical developments that make it easier and faster for us to do our job. This hinders our creativity.
TJ How significant is a computer in your work?
Luc As a designer, not very significant. It is very important to my assistants and to the technicians. It mostly makes it easier to do paperwork... spread sheets, dimmer sheets, hook-up sheets, etc. It is a tool for paperwork just like a pen and paper, but for a designer, not very useful. A computer won't make you a better designer
TJ What have been your biggest influences to your lighting?
Luc Life, Art, Photos, Movies... Urban settings and life experiences. Forget specificity- don't overlook the obvious. Experience life in its fullest. It is in the ART... not the patch sheets or moving lights. I can't say enough that experiencing life is very important and so are the people you interact with. Be open to ideas and observations. I keep a journal of quotes that I have heard or that people give to me. My favorite quote came from a young lady that I know. "She didn't know it couldn't be done, so she did it."
TJ Thank you very much Luc and keep up the great work
Luc It was my pleasure... I am committed to sharing my knowledge. "When you learn it is important that you Teach."
 

When beginning a lighting design, patch all dimmers into a single channel. As you create cues, pull them back out. This way, if you ever need to see what instruments are still available, all you have to do is bring up that one channel.

interested in submitting a resource article or interview?
submission guidelines
 
 

Insight Article #1
How-To ... Number Channels

...

Coming Soon!


Home | Job Seekers | Employers | Everyone | Join | Renew | MyAccount | Contact | Site
© 2004 TheatreJobs.com